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Flyktighetens psykologi

by Henrik Olsson

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Flyktighetens psykologi del I-IV
The Psychology of Transience, Part I-IV (2020)

With an unsentimental but respectful approach to the sacred original Henrik Olsson have developed four method-based compositions through the reuse of traditional hymns. Musical strategies that compost rather than compose, that erase rather than adds. Based on themes such as recollection, memory, suppression and forgetting the project highlights on how cultural traditions will sustain only through constant transformation.
The work is also a reflection on concepts of polarity such as spirituality/secularity, tradition/modernity and permanence/transience.

credits

released March 10, 2023

Anna Lindal – violin
Elsbeth Bergh – viola
Patrik Wingård – bass clarinet
Henrik Olsson – pump organ

All music composed by Henrik Olsson in 2020.
(The music was originally written for Catharina Göranssons art project De Räddade Orden that proceeds from fragments of hymn-book pages that was found during the restoration of Svenneby Old Church in Tanum municipality.)

Recorded and mixed by Henrik Olsson.
Mastered by Max-Måns Wikman.
Executive producer, Alex Zethson.

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Henrik Olsson Hamburgsund, Sweden

Born in 1975 in the village of Kyrkhult, a small industrial community in the south of Sweden.
Studied classical percussion and received his MFA in 2001 at The Academy of Music and Drama, University
of Gothenburg. Henrik moves freely between notated music and free improvisation, blending acoustic and amplified sounds with the use of contact microphones.
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